Samsung GX-10 Digital SLR camera 10.2 MP

The GX-10 boasts a 10.2 mega-pixel image sensor, which offers the photographer a sharper image, with richer colors for a truly compelling composition. Taking photos is easier with the PentaPrism viewfinder with its high magnification (0.95x) to provide a clearer, wider field of view (95%) for optimum shooting. For unrivaled viewing of photos the GX-10 also comes complete with a wide view 2.5" TFT LCD (210k pixels). With its powerful built-in Optical Picture Stabilization (OPS) technology, the GX-10 prevents blurred pictures by shifting the CCD to counter any movement of the camera's body. In addition, when a manual lens is used in ordinary digital SLR cameras, the camera's shake prevention mechanism does not function properly since the camera does not have the lens information. In the GX-10, however, the manual lens information can be input so that film cameras' manual lenses can also be used with the GX-10.The advanced design features of the GX-10 ensure it is robust enough for taking quality pictures in even wet, sandy or dusty conditions as the camera comes equipped with a special water-resistant and anti-dust sealing. The advanced dust removal function included in the GX-10 also removes potentially problematic dust from the CCD by vibrating it automatically when the camera is booted, resulting in perfect blemish-free pictures with minimum effort on the part of the photographer. A further dust barrier is provided by the special coating on the CCD's protective window.

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Panasonic LUMIX DMC-L1 7.5MP Digital SLR Camera

In developing the DMC-L1, Panasonic's aim was to create a digital SLR camera that delivers superb photographic rendering capabilities and is a pleasure to use.

The DMC-L1 comes equipped with a Leica D Vario-Elmarit lens that features the industry's first optical image stabilization system--MEGA O.I.S--designed specifically for the digital camera. The DMC-L1 also incorporates a Live MOS image sensor that conforms to the Four Thirds standard and offers 7.5 megapixels to ensure outstanding picture quality. The new camera introduces a full-time Live View function that, using a signal output directly from the Live MOS sensor, lets users see on the LCD screen the same image seen by the sensor. With full-time Live View and the DMC-L1's large LCD screen, users can compose shots in new ways and with greater ease and accuracy.

The L1's shutter-speed dial maintains the attractive look and feel of a film SLR.

The DMC-L1 also features a dust-reduction system that solves the digital SLR camera's long-standing problem of dust adhering to the sensor.

In the new DMC-L1, Panasonic has incorporated today's most advanced digital technologies while maintaining the attractive look and operating feel of the familiar film camera. A shutter speed dial on the camera top together with an aperture ring on the Leica D Vario-Elmarit 14-50mm/f2.8-3.5 lens give the user easy, intuitive control of the exposure. The magnesium-alloy body, which in design closely resembles the body of a rangefinder camera from days past, combines with the aluminium-alloy lens section to offer both high rigidity and a high-grade appearance.

A lens-based aperture ring provides intuitive camera control.

Complies with Four Thirds standard
The DMC-L1's lens mount system adopts the open format of the Four Thirds system, developed as a common standard for digital cameras. The Live MOS sensor it incorporates is a 4/3-type image sensor. This means that the DMC-L1 can be used with lenses made by a variety of manufacturers, giving users a host of equipment options. In the Four Thirds system, the lens diameter is larger than the image circle, making it possible to design the lens so that the light passes on a straight path to the image sensor. As a result, lenses for digital cameras can be created in a size smaller than those that complied with 35mm film SLR camera standards, meeting the needs of today's digital age.

Features

Refined design makes the camera a pleasure to hold and use
The DMC-L1 offers a high-grade appearance and high reliability and durability thanks to use of a lightweight, high-rigidity magnesium alloy for the camera body. The body periphery and grip are covered with a textured, simulated leather that helps ensure a secure, slip-free hold.

A strong, lightweight chassis makes the L1's body extremely durable.

Superb image rendering of Leica D lens with optical image stabilization
The Leica D Vario-Elmarit lens, the first interchangeable lens designed specifically for digital cameras to bear the Leica brand name, is a standard zoom lens developed jointly by and combining the optical technologies of Leica Camera AG and Panasonic. A new set of quality standards were created specifically for this lens, to ensure that it would bring out the best performance of the camera it is coupled with.

With a focal length range equivalent to 28mm (wide) to 100mm (medium telescopic) on a 35mm film camera, the Leica D lens provides exceptional results with everything from portraits to landscapes. This bright f2.8-3.5 lens allows maximum use of the out-of-focus techniques possible only with an SLR camera.

The lens also provides outstanding macro shooting, thanks to a 29mm minimum shooting distance (0.32x maximum magnification, 35mm equivalent) across the entire zoom range. From landscapes to portraits to macro close-ups, the Leica D zoom lens excels in a wide variety of shooting situations.

The lens system comprises 16 elements in 12 groups and features two large-diameter glass-molded aspherical lenses. Meeting the Leica D lens lofty quality standards, this lens unit provides a superior optical performance and matches perfectly with the digital SLR camera body. The result is exquisite rendering, with images that offer clarity, depth, and rich expression from corner to corner, even at a fully open aperture.

The optical image stabilization system--MEGA O.I.S--provided in the lens unit helps minimize blurring to ensure that photos are sharp even in situations when hand-shake is typically a problem, such as when taking macro close-ups, indoor shots, or night portrait shots. Thanks to the gyrosensors and Venus Engine Plus LSI built into the lens, the system detects camera movement at a rate of 4,000 times per second, so hand-shake compensation is extremely precise.

There are two image-stabilization modes. In Mode 1 the hand-shake compensation function remains active at all times, so the image in the LCD and viewfinder is clear, which makes shots easier to compose. In Mode 2 the system activates only when the shutter button is pressed; this provides a more precise compensation performance. Users can select whichever mode they prefer in a specific situation.

Full-time Live View allows users to shoot in new ways
Panasonic has developed a full-time Live View function that lets users accurately compose photos while viewing the high-resolution 2.5-inch LCD screen. In previous digital SLR cameras, a "live" image could be seen only through the viewfinder. The new full-time Live View function thus represents a dramatic change in digital SLR photography, giving users new ways to shoot.

Full-time Live View provides a 100 percent view field coverage (that is, the same image seen by the image sensor) on the DMC-L1's large, 2.5-inch LCD monitor. Users can compose a shot easily and accurately while viewing the screen. The screen also displays critical information such as a live histogram and white balance, which users can easily check prior to snapping the shot. When a tripod is used, full-time Live View lets users compose the image without bending to peer through the viewfinder. In these ways, users will find that full-time Live View gives them both more shooting flexibility and greater convenience.

The Live MOS image sensor must remain ON when full-time Live View is in use. The Live MOS sensor has a full-time image output function that sends a signal directly to the LCD, allowing high-quality display on the LCD screen of the same image seen in the sensor. Note that when the full-time Live View function is active, the internal mirror is in the raised position, which means that there will be no image visible in the optical viewfinder.

Users can take advantage of the revolutionary full-time Live View function in both Autofocus and Manual Focus modes. When using Manual Focus, users can select a particular area within the frame and enlarge it up to 10x. Then, viewing the DMC-L1's 2.5-inch 207,000-pixel LCD screen, it is easy to check the focus. It is also possible, by pressing the aperture preview button, to check the depth of field. When the aperture is being adjusted, the DMC-L1 automatically adjusts the brightness of the full-time Live View image on the LCD screen to prevent it from becoming too dark to see. This makes it easier to check the depth of field.

4/3-type 7.5-megapixel, high-resolution, energy-saving Live MOS sensor
The Live MOS sensor used in the DMC-L1 provides the beautiful images with delicate gradation and wide dynamic range that only a CCD image sensor can provide. To this it adds the low energy consumption only a CMOS sensor can offer. The use of dedicated processing technology enables operation at a low voltage of 5V, minimizing noise in darker parts of an image. Also, photodiodes embedded deeply in the silicon layer create a structure that suppresses noise generated on the substrate surface. As a result, the white-spot pixel defects and textural roughness that often characterize images captured in dim lighting are minimized, so photos are crisp and clear.

Dust-reduction system prevents dust and other particles from degrading images
One of the most critical issues with digital SLR cameras with interchangeable lenses is the possibility of dust entering the camera body during lens changes. This dust can adhere to the image sensor and show up as spots on photos taken. Panasonic has solved this problem by equipping the DMC-L1 with a Supersonic Wave Filter system that uses supersonic vibration to shake off any dust clinging to the sensor. This simplifies camera maintenance and eliminates worries about dust entering the camera body when lenses are being changed outdoors, so users can enjoy themselves and just concentrate on shooting.

Venus Engine III image processing LSI
The Venus Engine III is an image processing LSI developed by Panasonic to maximize the performance of the Leica D lens and Live MOS sensor. This advanced LSI not only helps reproduce images with outstanding resolution, superior color, and detailed gradation, it also distinguishes chromatic noise from luminance noise and selectively reduces the chromatic noise, one of the chief sources of image quality problems. This helps the DMC-L1 deliver the superb image rendering one expects from a quality SLR camera. The Venus Engine III also works swiftly, helping give the DMC-L1 a quick startup time of one second, shorter shutter interval, and improved consecutive shooting performance.

Further, the Venus Engine III consumes 20 percent less power than its predecessor, the Venus Engine II. This combines with the Live MOS sensor's low energy consumption to give the DMC-L1 longer battery life. Users can take around 450 shots (CIPA standard) on a single battery charge.

Film mode
In film cameras, the brand of film used affects the color characteristics, gradation, and color saturation of the photos taken. This gives photographers the option of choosing a particular brand of film to attain a particular desired effect. The DMC-L1 provides a similar option by giving the user a total of seven "film" modes to choose from, including four color settings (Standard, Dynamic, Natural, and Smooth) and three monochrome settings (Standard, Dynamic, and Smooth). Just as photographers can switch film brands to change the imaging characteristics, DMC-L1 users can switch modes to achieve a similar effect.

Two-axis white balance adjustment
In addition to the conventional white balance setting, the DMC-L1 features a two-axis setting system that allows even finer white balance adjustment. Making adjustments along a horizontal amber-blue axis and a vertical green-magenta axis, users can set the camera for detailed color cast compensation over virtually the entire color space.

Extra Optical Zoom
When the camera is set to record at less than the maximum number of pixels, users can take advantage of an Extra Optical Zoom function. (Only applicable in using full-time Live View function.) This function alters the 7.5-megapixel Live MOS sensor's operating area, to vary the angle of view and increase the maximum zoom ratio.

Unlike a digital zoom, the Extra Optical Zoom function extends the focal length 1.5 times when the the DMC-L1 is used with the Leica D Vario-Elmarit 14-50mm/f2.8-3.5 ASPH lens provided and when shooting at 3-megapixel or a lower-resolution mode without degrading the image. Users enjoy extra zoom power without loss of picture quality.

Other features and functions

• Supports SDHC format
• Compatible with external TTL flash units (models DMW-FL500, DMW-FL360)
• Auto bracket function shoots three or five photos at exposures changing in steps of +1/3 to 1 EV
• Equipped with a shutter-speed Bulb setting (8 minutes maximum)

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Customer Reviews

Known problem with the 14-50 Leica lens
This is a great camera with a stunning tack-sharp lens. That said, many owners on the Leica forum have reported a problem with the 14-50 lens that comes on the camera. The lens sometime comes with, or later develops, the problem of binding of the zoom function, which after time locks up completely or at best restricts zoom movement. Also, several new owners have reported that they have received a camera with a lens whose front end is "loose" and can be wiggled back and forth. This is alarming, but does not seem to effect the camera focus, at least on my DMC-L1 with its case of front end wobbles. Alas, also my lens seem to be developing the dreading zoom restriction about mid zoom.

So, if you do purchase this camera, do carefully check out the 14-50mm lens for what appears to be, or have been, a widespread manufacturing defect. The lens should zoom in and out smoothly. If there is a slight restriction or a "catch" in the movement, you're likely in for downline trouble.

With a defect-free lens, this camera is superb, and well worth the potential hassle of returning the product for replacement if you find yourself with a lens whose zoom function fails and binds.

The DMC-L1 is considerably less expensive than the Leica branded version, and offers the feel and advantages of the range finder cameras like the Leica M3 or the Nikon SP, so loved by photojournalists of yesteryear. Ah, but if only the DMC-L1 was as petite as the old Leica M3.

One of a kind, never to be mistaken
When this camera was introduced I knew I wanted one. The look and feature set just appealed to me. Finally I got one. It is not a perfect camera for everyone, but get your hands on one and it speaks for itself. I love using this camera and I find it quite comfortable to use with everything where I expect it to be. Some features I particularly like are the manual controls, two-stage flash, live view, and the kit lens.

The manual controls feel more natural than using menus. I especially like the quick access buttons on the back and the drive mode and metering switches on top. Though these switches can change position easily at times, I still much prefer it to delving into a menu. I also love the two programable function buttons. This can be very useful, though be warned that one of them defaults to aperture when using a lens without the ring. But this has its workarounds.

I normally avoid using flash, but on the L1 I will try to find a way to use it. The bounce flash I find especially useful for portraits. The power of the flash I think is also very good for a built in unit. Its also amusing to see other peoples' faces when you pop the flash.

Live view is a feature many seem to scoff at, but I find it quite useful. It also helps to compensate for the viewfinder's deficiencies or when you really want to get that unique perspective.

And last but not least, the LEICA lens. I wanted a bright lens, and the L1 comes with one. Having a quality piece of glass to start with is a real plus and this lens is part of what makes the L1 the camera it is.

The L1 has its faults and quirks too.

The viewfinder is small and dark. Though I don't find it to be any darker than the viewfinder on my old Canon AE-1, it is smaller than most. But it is adequate for ordinary shooting and something you quickly adjust to. If you're shooting detail you can use Live VIew to check focus and to better view in dark lighting.

The auto focus is normally quick and near silent, but it does struggle in dim lighting or under harsh backlighting. Then the lens racks through its range and can make a bit of noise. But it is quieter than mechanical focus systems and I find it to be very accurate most of the time.

Lastly a few nit-picks. The flash being located off center from the lens axis can cause uneven lighting, but it is barely noticeable and often only occurs at either close or far distances. Also, don't use the lens hood with the flash as it causes shadows. The shutter dial is nice to use, except it doesn't turn 360 degrees. This makes switching from aperture to shutter priority a slight pain at times. But it isn't a big deal unless you switch between shooting modes a lot. Battery life isn't stellar by comparison to some others, especially if you use Live View a lot. So an extra battery would be suggested.

Overall this is a very unique piece of photographic equipment and is one you will either love or hate. But don't just take peoples' word for it. Get your hands on one and see for yourself. I love mine and wouldn't trade it for anything. I'm proud to own what will surely become a piece of photographic history.

in love
I love this camera. I've used Canons and Nikons in the past, especially D30s and D40s, and I much prefer using the L1. I almost always shoot manual, and find the actual, physical controls on this to be a great improvement over all the buttons on the Canon. The design/navigation of the menu is also the nicest I've seen on a digital camera (have also owned Sony and Fuji). Picture quality is outstanding. Plus, I admit I really like walking past people carrying their omnipresent Canons and Nikons, while I'm sporting a much rarer Lumix.

The single biggest flaw with this is the viewfinder. It really is too dark - a problem common to many dSLRs which don't use pentaprisms like film SLRs. It can be worked around, but it's a real annoyance.

Also, be aware that this is not a small, inconspicuous camera.

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Panasonic LUMIX DMC-L10 10.1MP Digital SLR Camera

The Panasonic Lumix DMC-L10 is the newest member of its digital single-lens reflex (SLR) camera line and the company's first DSLR with Face Detection. The DMC-L10 also offers an advanced 2.5-inch Live View LCD which can rotate 270 degrees, enabling versatile shooting options and making it easy and convenient to shoot from high or low angles. Complete with a 10.1-megapixel Live MOS sensor, the DMC-L10 includes an advanced Supersonic Wave Filter system that prevents dust from collecting on the sensor and degrading photo quality.

Face Detection will focus, set autoexposure, and detect up to 15 human faces simultaneously, to capture the subjects clearly and brightly. Combining Face Detection with Panasonic's Intelligent ISO Control settings, which measures the movement of the subject and sets the ISO level accordingly, helps deliver crisp, blur-free images.

Lumix DMC-L10 Highlights

Full-Time Live View redefines DSLR photography With conventional digital SLR cameras, you never know exactly how the photo is composed until after you shoot. The Lumix DMC-L10 changes all that with full-time Live View. When you look at the LCD screen, you see what the camera sees, making it easy to adjust and compose your shot just the way you want it.

Greater flexibility with a 2.5-inch free-angle LCD The camera's 2.5-inch free-angle LCD gives you even greater flexibility with a screen that rotates 180 degrees left and right and 270 degrees front and back for shots at both high and low angles. In addition, the auto-focusing area can be chosen from as many as nine points while viewing the LCD before you take the shot so you can focus on your subject with exceptional accuracy. You can also use the LCD to check how any white balance or exposure compensation adjustments affect the shot before you take it, while Film Mode lets you adjust the photo characteristics.

No more blurry photos A first in digital SLR cameras, Intelligent ISO Control prevents motion blur by detecting if the subject is moving and adjusting the ISO setting and shutter speed accordingly. The camera's Leica D lens is also equipped with Panasonic's Mega O.I.S. optical image stabilization system, which prevents blurring caused by shaky hands and helps you capture sharp, clear, beautiful images even when taking telephoto shots or shooting in dim lighting.

Face Detection ensures that no one gets lost in the crowd This function, the first on a digital SLR camera and made possible by full-time Live View, recognizes up to 15 faces in the frame and optimizes the focus and exposure settings to capture them clearly and correctly.

Face Detection in action

Compact and lightweight for more fun, greater mobility Featuring a compact design and weighing just a little over a pound, the DMC-L10 is a camera you can carry around easily and use comfortably. The grip is designed to give you a sure, stable hold, leaving you free to concentrate on the shooting.

World-class Leica lens Panasonic's sophisticated Leica D Vario-Elmar 14-50mm/F3.8-5.6 aspherical lens unit features 15 lens elements in 11 groups, including two aspherical lenses to lower spherical aberration, and two extra-low dispersion lenses to suppress chromatic aberration. The focal length is equivalent to 28 to 100 mm on a 35mm camera.

Four Thirds standard designed especially for the digital camera Panasonic adopted the Four Thirds standard for the DMC-L10's lens system, which means you can use lenses made by other manufacturers, providing you with an extensive range of interchangeable lenses.

Dust reduction system helps protect the inside of the camera Every time you turn the camera on, a supersonic wave filter located in front of the image sensor vibrates vertically around 30,000 times a second to create a wave-like motion across the entire filter that shakes away any dust particles that enter the camera. This system even removes particles that would not be loosened by the horizontal movement of other image sensors.

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Customer Reviews

Excellent
Myself as a very long-time prosumer of Leica M 6 film camera and all its glorious lenses i frankly think this Panasonic - with a Leica objective - is better than Nikon D60 Kit. Nikon comes with an inferior lens.

The picture quality (RAW) is good and all the necessary manual controls are there beside automatic programs.

Con: noise control with big ISO numbers ( 800 +) is not good. No good for tele.

Pro: the camera takes e.g. Olympus serious flas Fl-36R as TTL. - Very handhy wide angel (24). f=2.8

Dr. Jukka Kemppinen, Finland

Little Gem
Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS LensI bought this camera because of the swing out viewfinder. It is a jewel of a camera. The first pictures I took few closeups of some flowers. The results were stunning.I am a little surprised that the camera doesn't sell that well. One problem is that you can't get it as a body only camera. The lens that comes with it is superb but expensive,but it is supposed to be able to take all four thirds lenses.I will get a Zukor lens longer of longer focus soon. I am really a Canon fan and have a lot of their lenses. This camera is every bit as sharp and precise. The swing out focus is nice but makes a lot of noise when you use it.Since the price has come down a bit this a real bargain.

my favorite camera
I am a 'collector' of dslr cameras. I have just about every panasonic lumix camera available and quite a few canons, sonys, and nikons. This camera, by far, is my favorite. It is easy to handle, easy to use, totally stupid proof, and the pictures come out great. I have a Nikon d80 and it's a great camera but for me, this is still my favorite. It's just a funner camera and easier to handle. I am in no-way a professional photographer, I just love photography and this camera is a joy.

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Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera

Featuring an advanced new, fourth-generation Super CCD SR sensor, the FujiFilm FinePix S3 Pro digital SLR takes digital photography dramatically closer to film quality. The FinePix S3 Pro offers a full feature set that's perfect for professional photographers, including a 6.17-megapixel effective resolution (increased to 12 megapixels with in-camera technology), compatibility with Nikon F-mount lenses as well as a majority of Nikkor AF lenses. Improvements over the FinePix S2 include larger, more ergonomically placed buttons, power from 4 rechargeable NiMH batteries, and USB 2.0 connectivity (as well as FireWire). This model does not include a lens.

Optics and Resolution
The FinePix S3 Pro's Super CCD SR sensor (23 x 15.5mm) uses 6.17 million S-pixels and 6.17 million R-pixels (for 12.3 million effective photodiodes) to deliver 12 million recorded pixels and noticeable image improvements to that of single-pixel cameras. The SR sensor's unique double photodiode design broadens tonal capability, from bright highlights to deep shadows and produces images with a dynamic range four times greater than that of a sensor working on single-pixel technology. It gives greater sensitivity, improved signal-to-noise ratio, and consistently natural colour reproduction, and also produces the following resolution modes: 4256 x 2848, 3024 x 2016, 2304 x 1536, and 1440 x 960.

It has a Nikon F mount and accepts a full range of Nikkor F-series lenses--including AF-D, AF-G and AF-S type professional optics.

Fourth-Generation Super CCD SR
FujiFilm's Super CCD SR provides a truer representation of the actual subject being photographed, revealing highlight detail and offering a four-fold increase in dynamic range. By using an innovative layout of paired photodiodes--in a "honeycomb" pattern--the technology enables confident shooting in both bright and cloudy conditions. The Super CCD improves overall signal-to-noise ratio and offers a much wider dynamic range. It also combats the bleached-out effect created by flash photography and increases exposure latitude, a great advantage in difficult lighting conditions.

More Features

• Rugged, polycarbonate body with rounder design and molded rear grip
• 2-inch, 235,000 pixel horizontal LCD delivers crisp, clear images and nearly 100% frame coverage
• Secondary LCD indicates shooting information and settings
• Dual shutter release buttons to allow optimum comfort and stability in both horizontal and vertical orientations
• Intelligent flash with D-TTL full-aperture exposure metering system
• Shutter speeds of 30 seconds to 1/4,000 second
• Sensitivity: ISO 100, 160, 200, 400, 800, 1600

Direct Printing
The FinePix S3 Pro is PictBridge compatible, which enables you to transfer pictures from your digital camera to your printer, without a PC or image-editing software. All PictBridge devices share three basic features: camera-to-printer connecting, single-image printing, and uniform error messages (in case something goes wrong)

Storage and Transfer
The FinePix S3 Pro offers a dual-media approach to storage: XD and CompactFlash Type II memory cards (offering compatibility with optional Microdrives, which can provide up to 4 GB of storage). It also incorporates dual PC connectivity, via super-fast USB 2.0 or IEEE 1394 (FireWire, also called i.Link).

Power and Size
The camera is powered exclusively by 4 rechargeable NiMH batteries (included). It measures 5.8 x 5.3 x 3.1 inches (W x H x D) and weighs 1.6 pounds (excluding battery and lens).

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Customer Reviews

Great camera
I bought this camera from Amazon.com couple of months ago (sometime in April of 2007). At the time, the newer model of Fuji DSLR, the S5, was just introduced. Although the S5 offers a lot of improvements, I decided to buy the S3. I had also looked at the Nikon SLR since I have been using Nikon for the past 35 years. I had seen many photographs taken with all of the models that I was interest in (except the Fuji-S5) and they were very close in terms of quality. Now it boiled down to other things and it was not the money issue, but in my case, the battery issue. The S3 uses 4-AA rechargable batteries. I did not buy a Nikon DSLR or the Fuji-S5 because of the use of proprietary batteries.

I have been using the Fuji-S3 along with my Nikon-F4 film camera for the past two months and I am VERY VERY please with the results. I had captured over 3000 images during my 3 week vacation with it. I had carefully examined a few hundred of the pictures I took (just in case that I didn't like the camera) and I discovered that it can deliver an exceptional quality. It shares the same Nikon lenses and I am fortunate that I have not had any incompatibility issues (I was warned about this). As of this writing, my F4 is probably going to join the F1 in the collection shelf....soon. I also bought two newer lenses from Sigma (I had never bought anything else other than the Nikon lenes) to try with the camera. Those Sigma lenses appear to diliver similar quality or in one case better than my Nikon lenses with this camera.

One complain...the ISO and the timer buttons of the S3 are placed in the most awkward positions. I am lucky that I don't change the ISO or using timer that offen otherwise this would have been one most inconvenient.

Nice images, A pleasure to use
This camera has been very enjoyable to use. Very comfortable large grip when handheld, nice for tripod use too. I decided on this camera when comparing images of those taken by other digital SLR's. The S3 images were the only ones that didn't appear "obviously" digital to me. I seem to find film images more aesthetically pleasing, which the S3 provides. This is my first digital SLR and has more features than I could possibly hope for. I still have not explored all the film simulation and wide dynamic range combinations and options. I found the the F2 velvia setting a bit "too" saturated, and the built in sharpening also a bit "hard". I get the best results in wide dynamic 2 mode, 12mp, and everything else set to "normal". Usually requires some brief post processing in the contrast and sharpening departments to get the results I'm looking for. I love the results in black and white. Love the aperture and shutter priority modes. My only gripe is that the external USB port became loose after about a dozen uses and just fell into the camera body. I sent it back on warranty however, and it was fixed and sent back to me in about a 4 day window. I was really amazed with Fujifilm service. As for speed, I usually shoot landscapes, and in jpeg mode, so not really an issue. I have shot fast moving birds and wildlife with no problems. As for value, its worth about 3/4 of its original price on the used market after around 9 months of use, not bad for digital cameras I suppose. And the price of a new one has actually increased since I bought one, which is hard to believe, but great! The Fuji S3 continues to please. :) enjoy.

beautiful but slow
great pictures but too slow for anything but still portraits and landscapes

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FujiFilm FinePix S5 Pro DSLR Camera

Features

• 12.34 Million Pixels (S-pixel: 6.17million, R- pixel: 6.17million)
• New Super CCD SR Pro Technology 23.0mm x 15.5mm
• Number of recorded pixels - L: 4,256 x 2,848 / M: 3,024 x 2,016 / S: 2,304 x 1,536
• Storage media Compact Flash: (CF) Card (Type I/II) and Microdrive
• Lens mount: Nikon-F mount (with AF coupling, AF contacts), Type DX AF Nikkor: All functions supported, Type G or D AF Nikkor (IX Nikkor lenses cannot be used): All functions supported.

Introducing the camera for the image conscious professional - The Fujifilm FinePix S5 Pro DSLR! For the first time, a professional DSLR body featuring the Fujifilm Super CCD SR Pro coupled with Real Photo Processor Pro technology providing increased performance, control and durability.The increased dynamic range from the Super CCD SR double pixel technology (6.17 million S-pixels and 6.17 million R-pixels) became popular in the FinePix S3 Pro with portrait and wedding photographers. The new FinePix S5 Pro continues these advancements by coupling the proven Super CCD SR Pro with the companies new RP (Real Photo) Processor Pro for even more outstanding film-like results. The two technologies will be married together in a fully digital and durable metal alloy body frame. This opens the door for Fujifilms technologies to expand into other venues such as outdoor and high endurance commercial photography. Feature at a GlanceReal Photo Technology Pro Super CCD SR Pro Face Detection Technology for post image verification Nikon F-mount compatibility for all functionality with all Nikkor AF-D/G and the latest AF-S optics RAW+JPEG (4,256X2,848 pixels, 3,024X2,016 pixels, 2,304X1,536 pixels) dual-save mode MAC and PC supported tethered shooting mode via USB 2

Customer Reviews

DOA
I purchased this camera from employee discount for $900. When I got the camera it wouldn't work. After shooting one image, camera got locked up. shutter wouldn't come back down, nor switch off. I had to pull out the battery to reset. that's not the worst part, Returning back to fujifilm was so much hassle that I had call my AMEX to dispute the charges to get my full refund back. Never again will I buy fujifilm. unfortunately I work for the company ;(

Fuji S5 Pro color
I have had the S5 pro for a little over a year. I have seen side-by-side results compared with Nikon D200 and D300 and Canon 12.1's and the Olympus flagship. Shooting in RAW the Fuji is just as sharp as any 10 to 12 megapixel camera out there. I don't like the less sharp standard settings. But what makes the Fuji chip special is the color. It's dead on; rich, finely textured, true. The design which mimicks the rods and cones of the eye works. Period. All the SLR's that have come out in the last 1 or 2 years are amazing. But the Fuji S5 still holds its own on color reproduction which probably is expected since Fuji is of course a long time leader in film manufacturing.

Was a very good low light camera
I have owned the Nikon D70, D200 and currently still have the D80, D300 and Fuji S5. If low light photography is your cup of tea...then this is a very good camera. It beats the D70, D80 and D200 (anything over ISO 800 on these cameras are pretty much useless). However, since the D300 has arrived, (not to mention the D3), it is no longer my favorite low light camera. The D300 performs better in this area. It is also faster in fps and has a much bigger and clearer LCD screen. However, the S5 images at ISO 800 and above do give a grainy film like quality, which make the photos look quite good.
Dynamic range wise...i think the S5 is still better when set to 400%. If i had rated this camera back in Oct 2007, I would give it 5 stars. Since it is 2008 July, only 4 stars.
The good: High Dynamic Range, Very good low light capabilities, well built, incorporates Nikon excellent wireless flash system, auto-iso, film like grain/noise at higher iso
The bad: slow, very very bad menu (absolutely horrible!), LCD images of photo all look blurry...low resolution LCD screen?, can only use Fujifilm batteries...so your nikon ones won't be compatible!

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Pentax K10D 10.2MP Digital SLR Camera

The Pentax K10D digital SLR camera features 10.2 effective megapixels and a host of advanced technologies including a Pentax-developed Shake Reduction (SR) system and a weather-resistant body. Designed to deliver high-quality digital images and responsive operation for advanced photo enthusiasts, the K10D features an array of Pentax innovations in image capture and camera functionality.

The most significant features in the K10D include:

• A Pentax-developed Shake Reduction (SR) system that effectively offers a 2.5 to 4 stop advantage for sharp, blur-free images even under difficult shooting conditions, such as macro and telephoto photography or low light settings without a flash.
• A newly-developed Pentax Real IMage Engine (PRIME) designed exclusively for Pentax digital SLR cameras to produce well-balanced, true-to-life images. In order to meet the performance requirement in handling 10-megapixel data, Pentax also incorporated a new high-performance 22 bit A/D converter to quickly transfer images with accurate color tones and richer gradation from the CCD to the imaging engine.
• A new Dust Removal (DR) system incorporating Pentax-original Special Protect (SP) coating to help keep the CCD surface dust-free, and a shift mechanism to shake dust off the CCD.
• A dependable dust-proof, weather-resistant body construction featuring 72 seals throughout the camera to allow photographers to continue shooting even in dusty or rainy environments.

High-quality image reproduction
The K10D features a large, high-performance 23.5mm x 15.7mm CCD with 10.2 effective megapixels as its image sensor, assuring the reproduction of true-to-life, rich-gradation images.

Pentax-original Shake Reduction mechanism for blur-free images
The K10D is equipped with the exclusive, Pentax-developed Shake Reduction (SR) system, which effectively reduces camera shake for sharp, blur-free images even under demanding shooting conditions, such as when using a telephoto lens, shooting in the dark or at night without supplementary flash illumination, or using extended exposures for sunset scenes. The SR mechanism is designed to minimize camera shake by oscillating the CCD image sensor vertically and horizontally at high speed using magnetic force, while adjusting the speed of oscillation in proportion to the amount of camera shake detected by built-in sensors. As a result, the system does not require special anti-shake lenses and can be used with more than 24 million Pentax lenses produced since 1964. (Lenses compatible with this mechanism are the Pentax K-, K_A-, K_AF-, and K_AF2-mount lenses; screw-mount lenses [with an adapter]; and 645- are 67-system lenses [with an adapter]. Some functions may not be applicable with certain lenses.)

Newly developed A/D converter for truthful image data conversion
The K10D incorporates a high-performance A/D converter, which faithfully converts the analog data collected by the CCD image sensor into digital data. With the highest resolving power (22 bits, or 4.2 million gradations) among all existing digital cameras, it offers a digital-conversion capacity 1,024 times greater than conventional 12-bit, 4,096-gradation A/D converters.

Newly designed PRIME imaging engine
The K10D incorporates the new PRIME (Pentax Real Image Engine) as its imaging engine. Designed exclusively for Pentax digital SLR cameras, this new imaging engine produces well-balanced, true-to-life images through efficient control of CCD signals, saturation, brightness, white balance, sharpness, and contrast. Its new memory (DDR2: Double Data Rate 2) also serves to enhance speedy image processing and high-speed data transfer.

Dust Removal system to help keep the CCD surface dust-free
The K10D features the new Dust Removal (DR) system to prevent dust from sticking to the surface of the CCD image sensor (or low-pass filter). Applied to the CCD surface through a vapor deposition process of a fluorine compound, the Pentax-original Special Protect (SP) coating effectively prevents dust and stains from adhering to the surface. In the next step, dust that still remains on the surface will be shaken off when the SR system shifts the CCD at high speed. The dust that is shaken off the CCD will fall onto an adhesive sheet positioned at the bottom of the SR unit, eliminating any possibility of its returning to the CCD surface.

Dust-proof, weather-resistant construction
The K10D boasts a reliable dust-proof, weather-resistant construction, with special seals applied to 72 different parts of the camera body, including the shutter release button and switches/levers/dials. This dependable body makes it possible to use the K10D in the rain or at dusty locations without worries. Pentax 18-55mm f3.5-5.6 lens
With newly developed, high-performance optics, this new lens measures only one inch (25 millimeters) in length and weighs a mere 4.9 ounces (140 grams). Mounted on a Pentax digital SLR camera body, the lens protrudes very little from the camera's front panel, making it an ideal choice for carry-everywhere, instantaneous snapshot photography.

Original exposure system for faithful reproduction of creative intentions

Hyper Program function:
The K10D's Hyper Program function allows the user to instantly switch to the Shutter-Priority AE (Tv) mode or Aperture-Priority AE (Av) mode from the Program AE mode, with a simple turn of the electronic dials on the grip (one on the front for index-finger control, and the other on the back for thumb control). To return to the Program AE mode, simply press the green button positioned next to the shutter-release button.

Hyper Manual function:
When shooting in the Metered Manual mode, a single push of the green button allows the user to instantly set the proper exposure for the subject.

Sensitivity-Priority mode:
The K10D features a new Sensitivity-Priority AE (Sv) mode, which is designed to automatically select the optimum combination of aperture and shutter speed for user-selected sensitivity. The sensitivity can be shifted instantly (in 1/2 or 1/3 steps) by turning the electronic dial. Since this mode eliminates the need to recall a menu screen for sensitivity changes, the photographer can react more quickly to changing photographic conditions.

Shutter and Aperture-Priority mode:
Another exposure mode offered by the K10D is Shutter and Aperture-Priority AE (TAv) mode, which is designed to automatically select the most appropriate sensitivity for a user-selected shutter-speed and aperture combination.

Bright, clear viewfinder
Featuring a glass pentaprism, the K10D's viewfinder offers a 96-percent field of view and a 0.95x magnification for easy viewing of the subject and effortless confirmation of focus and composition. Coupled with the acclaimed Natural-Bright-Matte II focusing screen, it delivers a large, bright subject image.

Auto sensitivity control up to ISO 1600
The K10D's auto sensitivity control function automatically sets the optimum sensitivity up to ISO 1600, based on such data as the subject's brightness level and the lens' focal length. Since this function allows the use of higher shutter speeds in poor lighting situations (such as indoor sports events and night scenes), it helps the photographer to effectively reduce camera shake and prevent blurred images. For specialized applications, the sensitivity can be set manually from ISO 100 to ISO 1600.

Continuous shooting at approximately three images per second
To trace the movement of an active subject or capture a sequence of the subject's expressions, the K10D offers a continuous shooting mode that allows the photographer to capture a series of images at a maximum speed of approximately three images per second. In the JPEG recording format, the user is allowed to take as many images in succession as wished, until the capacity of an SD memory card runs out, or in RAW mode up to 12 images at 3.0 frames per second (fps).

Reliable shutter unit
The K10D's shutter unit is designed to withstand nearly 100,000 releases, while assuring high-precision operation over the entire shutter-speed range--up to a top speed of 1/4000 second. It also features a flash synchronization speed of 1/180 second for more versatile flash photography.

11-point wide-frame AF
The K10D's sophisticated SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) to automatically focus on the subject with utmost precision, even when it is positioned off center. The in-focus sensor point is automatically superimposed in red in the viewfinder for at-a-glance confirmation.

Extra-large, wide-view LCD monitor
The K10D incorporates an extra-large 2.5-inch color LCD monitor on its back panel. Its wide-view design allows the photographer to check the monitor image from 140 degrees both vertically and horizontally, ensuring effortless image viewing even from a diagonal position. With approximately 210,000 pixels, it also offers digital zooming of playback images up to 20 times for easy confirmation of the image's focusing status and details.

Powerful rechargeable batteries for extended shooting
The K10D features new, large-capacity lithium-ion rechargeable batteries, which can capture approximately 700 images (CIPA standard) when fully recharged.

Compatibility with supersonic motor-driven lenses
The K10D is designed to be compatible with supersonic motor-driven autofocus lenses (currently under development), which are expected to provide smoother, quieter autofocus operation than conventional lenses.

Additional features:

• Choice of 16-segment multi-pattern metering, center-weighted metering, and spot metering to accommodate various photographic applications
• High-rigidity stainless-steel chassis
• 32 custom functions to personalize camera operations
• Extended bracket function to capture three images of the same subject at different contrast, saturation, sharpness, or white-balance levels
• Compatibility with conventional SD memory cards and newly introduced SDHC memory cards
• Choice of two preview functions (digital/optical)
• Simultaneous recording of RAW and JPEG images
• Manual fine adjustment of white balance
• Day-by-day folders to simplify the arrangement and search of recorded images
• Six built-in digital filters (Black-and-white, Sepia, Slim, Soft, Brightness, and Color) for easy editing of recorded images

Customer Reviews

PENTAX K10D DIGITAL SLR CAMERA WITH SHAKE REDUCTION AND 18-55mm LENS.
Pentax K10D 10.2MP Digital SLR Camera with Shake Reduction and 18-55mm f/3.5-5.6 Lens

Last year, when on assignment in Switzerland, I used several models of digital still cameras. I carried along the K10D, carefully testing the
first "shake reduction" I was ever to try.

Usually, I am a stickler for steadiness. Since my first days as a working
professional, it was always a must to employ the use of a tripod - not
only for longer exposures - but also for general shooting. Humans holding
cameras can almost never be quite as steady as a tripod or other camera stand. Think about it, our heartbeat causing pulse and cafeine shake in
our hands is nonexistent in a tripod. People do not always stand steadily
and firm.

My tests included handheld images with the shake reduction, tripodded
images without the shake reduction, and even handheld images without the
shake reduction, all cases using manual exposure settings ranging from
1/60th to 1/1000th sec., making notes as the images were casted on the
23.5x15.7mm CCD.

There is not enough room here to detail the hundreds of exposures made
during the three-days testing. Therefore, it shall suffice to say that
the K10D with its CCD-shifting shake reduction system allowed me to make
sharper pistures with three different lenses. Comparing the images made
on the tripod with those handheld using shake reduction there is not any
notable difference at 16X. Of course, one 6MP camera I tested, which did not have image-stabilization was used solely on the tripod, and images from it were as sharp as the handheld 10MP camera (not deploying shake
reduction and in similar lighting with auto-exposure.)

Other characteristics observed: The AF points on the viewfinder are red
and illuminated for easy visibility. The LCD display is large and sharp
and visible from a wide viewing angle. The DUST REMOVAL syatem is quite
effective. It actually shakes the CCD for dust removal.

The menu is not difficult to understand. The controls are splash and dust resistant and the cabinet parts and retractable seem to be nicely fitted
together.

The K10D had a good feel in my hands. The dials and buttons are all just
about exactly where they should be for ergonomic placement.

In the final analysis, the camera, in my judgement deserves five stars.

Robert Caselnova, photographer and owner of Cas Photo Studio & Camera Shop

Great DSLR w/ weathersealing and nearly perfect ergonomics
This was my first DSLR and it's been a great experience. It uses the same Sony sensor as the Nikon D80/D200 and if you shoot RAW, you get effectively the same results for much less cost.
On top of that, you get weathersealing so you can use it in the rain or snow or dust w/o issues.
The body feels solid unlike the plasticky XTi/XSi/D40/D60, and even the D80 to some degree.
Only nits are I wish it had a faster flash sync speed and predictive AF (the AF-C is really AF-S run continously).

Great camera..highly rated
I have had this camera for over one year and each day learn more about the power of this camera. Recently took photo course and many in class had high powered Nikons and Canon DSLR's. My camera kept right up and in many cases had features their cameras did not, such as built in image stablization, and raw button. Just saw new DXO website that ranks K10D above many DSLR's and higher than some more expensive DSLR's. This is a great camera but not for the novice.

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Pentax K20D 14.6MP Digital SLR Camera

Improving on the technology of the award winning K10D, the flagship Pentax K20D is the highest-resolution camera in the advanced photo enthusiast category and allows more experienced photographers, who demand complete control, to fully customize the camera. The most significant features in the K20D include:

• A newly-developed CMOS image sensor to bring out the optimum performance of Pentax interchangeable lenses. Featuring 14.6 effective megapixels and the latest noise-reduction technology, the sensor assures superb image quality.
• Custom Image functions that allow users to select between six preset options and further adjust image processing, including saturation, hue, contrast and sharpness. The K20D also offers an Expanded Dynamic Range function that allows users to gain more contrast and detail in bright settings.
• A Live View that allows users to see the full image area to confirm composition, focus status and lighting on the large, 2.7-inch LCD monitor. A grid display may be engaged to help assure the perfect arrangement of an image and Auto focus may be activated by simply pressing the AF button on the back of the camera. Further fine tuning of the image can be confirmed with the 4x or 8x zoom option.
• An improved Dust Reduction system that features the new Dust Alert function to pinpoint the exact location of dust particles for the photographer to remove.
• A weather and dust-resistant body that allow photographers to keep shooting even in harsh conditions.
• A PC sync socket for more advanced photographers who use studio lighting.

Pentax K20D Digital SLR Highlights

Newly Developed CMOS Image Sensor The Pentax K20D features a newly developed CMOS (complementary metal oxide semiconductor) image sensor measuring 23.4 mm x 15.6 mm. In designing the K20D, Pentax made the significant transition to a higher resolution 14.6 megapixel sensor, rivaling the detail previously only found in images captured with 35mm film. This considerable gain offers 50 percent more resolution than 10 megapixel sensors, and 20 percent more resolution than 12 megapixel sensors. Pentax Imaging (a leading innovator in the imaging business) collaborated with Samsung Electronics (a market leader in developing and producing semiconductors) in the development of the 14.6 megapixel CMOS Sensor found in the Pentax K20D Digital SLR. The larger photo diode in the sensor gathers more light in a shorter time and therefore can respond more sensitively. As a result, the K20D is able to achieve higher sensitivity levels (up to 6400 in the expanded ISO mode). Also, there is a more direct light path to the pixels. Coupled with a high-performance imaging engine incorporating Pentax-original image-processing technologies programmed to yield natural, true-to-life images, the new model assures fine-detailed, rich-gradation images.

Pentax Original Shake Reduction mechanism The K20D is equipped with the Pentax-developed Shake Reduction mechanism, which reduces camera shake for sharp, blur-free images even under demanding shooting conditions, such as shooting with a telephoto lens, shooting in low light conditions or at night without supplementary flash illumination, or using extended exposures for sunset scenes. This innovative mechanism offers outstanding compensation equivalent to approximately 2.5 to 4 shutter-speed steps. In addition, the lighter image sensor unit and refined data-control algorithm offer improved image stabilization over previous models. Pentax Shake Reduction is compatible with existing Pentax interchangeable lenses.*
_{* Lenses compatible with this mechanism are: Pentax K-, KA-, KAF- and KAF2-mount lenses, screw-mount lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be applicable with certain lenses.}

Large, 2.7-inch wide-view LCD monitor The K20D features a large 2.7 inch color LCD monitor. The wide-view design allows the photographer to view the monitor image from approximately 160 degrees both vertically and horizontally. Since it assures effortless image viewing from a diagonal position, it facilitates low- and high-angle shooting using the Live View function.

New Live View function The K20D features a Live View function that allows users to view an image on the LCD monitor during shooting. This feature is beneficial when the photographer moves his or her eye from the viewfinder in specialized applications, such as low and high-angle shooting, or when perfecting composition. The function also allows users to confirm the Shake-Reduction effect on the monitor while shooting.

High-performance, high-speed PRIME Imaging Engine The K20D incorporates the Pentax-original PRIME (Pentax Real IMage Engine). Designed exclusively for Pentax digital SLR cameras, the engine ensures well-balanced, true-to-life images with faithful color reproduction by efficiently controlling digital signals transmitted by the CMOS image sensor. It also allows complete control over other photographic factors including white balance and the new Custom Image functions. This imaging engine also features a Double Data Rate 2 (DDR2) memory to assure speedy image processing and high-speed data transfer.

Custom Image function The K20D is equipped with a new Custom Image function that lets the user select one of the six modes and adjust an image’s processing to their preference by automatically adjusting tone, saturation, contrast, and sharpness. These modes include Natural, Bright, Portrait, Landscape, Vibrant, and B&W image modes. The photographer can make further fine-tuned adjustments to each setting. The effect on each of the primary colors is shown in a radar-type display on the LCD panel. The user can easily see the effect of their adjustments by using the digital preview option.

Expanded Dynamic Range Function The K20D adds a dynamic-range expansion function, which allows the user to expand the dynamic range (or range of gradation reproduction) while retaining the proper contrast to avoid white-washed areas. With an approximately 1EV expansion effect, it assures beautiful, rich-gradation images.

Dust-proof, water-resistant construction The K20D boasts an extremely reliable weather-resistant and dust-proof construction with special seals applied to 72 different parts of the camera body, including the shutter release button and all the switches, levers, dials. This dependable body makes it possible to use the K20D in the rain or dusty locations without worries.

Comprehensive Dust Removal System With Prevention, Removal and Alerting Devices The K20D features the user-friendly Dust Removal system to prevent dust from sticking to the surface of the CMOS image sensor (or low-pass filter). The Pentax-original Super Protect (SP) coating, applied to the image sensor surface through vapor deposition of a fluorine compound, effectively prevents dust from sticking to the surface. In the next step, dust that may remain on the surface will be shaken off when the system shifts the image sensor at high speed. Finally, the dust that is shaken off the image sensor falls onto an adhesive strip positioned at the bottom of the unit, eliminating any possibility of the dust returning to the image sensor surface. This upgraded Dust Reduction system also offers a new Dust Alert function, which shows the user exactly where dust may be sticking to the sensor surface.

The K20D also features a versatile exposure system for faithful reproduction of creative intentions:

Hyper Program Function The K20D’s Hyper Program function allows users to instantly switch to the Shutter-Priority or Aperture-Priority AE mode from the Programmed AE mode with a simple turn of the electronic dials on the grip. To return to the Programmed AE mode, simply press the green button positioned next to the shutter release button.

Hyper Manual Function When shooting in Manual mode, one push of the green button allows the user to instantly set the proper exposure for the subject.

Sensitivity-Priority mode The K20D features a unique Sensitivity-Priority (Sv) mode designed to automatically select the optimum combination of aperture and shutter speed for a user-selected sensitivity. The sensitivity can be shifted instantly in 1/2 or 1/3 steps by turning the electronic dial on the back panel.

Shutter/Aperture-Priority mode Taking full advantage of the unique capability of digital cameras, which permit automatic shift of sensitivity at any time, the Shutter/Aperture-Priority (TAv) mode automatically selects the most appropriate sensitivity for a user-selected shutter-speed/aperture combination. This mode allows users to experiment with a greater range of photographic expressions with greater ease.

Bright, clear viewfinder Featuring a glass pentaprism, the K20D’s viewfinder offers an approximately 95 percent field of view and an approximately 0.95x magnification for easy viewing of the subject and effortless confirmation of focus and composition. Coupled with the acclaimed Natural-Bright-Matte II focusing screen, it delivers a large, bright subject image.

Continuous shooting at approximately three images per second To trace the movement of an active subject or capture a sequence of the subject’s expressions, the K20D offers a continuous shooting mode that allows the photographer to capture as many as 38 images in succession (in JPEG recording format) at a maximum speed of approximately three images (frames) per second. When switched to the new high-speed advance mode, the user may capture up to approximately 115 images at the speed of approximately 21 images per second.*
_{* The image size is fixed at 1.6 megapixels in the Burst Shooting mode.}

High-precision 11-point wide-frame AF The K20D’s sophisticated SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors) to automatically focus on the subject with utmost precision, even when it is positioned off center. When the subject is captured in focus, the in-focus sensor point is automatically superimposed in red in the viewfinder for at-a-glance confirmation.

Powerful rechargeable batteries The K20D features large capacity Lithium-ion rechargeable batteries, which can capture approximately 740 images when fully charged. The dramatically improved battery capacity (over the previous K10D) is the result of a new energy saving design.

Additional Features

• A PC Sync socket for shooting with studio lights. The camera remains weather and dust sealed even when the PC socket cap is removed.
• Choice of 16-segment multi-pattern metering, center-weighted metering and spot metering to accommodate various photographic applications
• Reliable, durable shutter unit assuring more than 100,000 shutter releases
• High-rigidity stainless-steel chassis
• 36 custom functions to personalize camera operations
• Universal-type X-sync socket
• RAW button for single-action image-file switching
• Digital Preview for verifying camera settings
• Optional Battery Grip (D-BG2) for extended shooting sessions
• Nine digital filters to add creative and artistic touches
• In-body RAW data development for image filing in JPEG and TIFF formats
• Compatibility with SDM equipped lenses for quiet, extra-smooth autofocus operation
• Pentax PHOTO Laboratory 3, RAW data processing software, Pentax PHOTO Browser 3, browser software and Pentax REMOTE Assistant 3, camera control software, included on the accompanying CD-ROM

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Customer Reviews

Good camera for general photography but fails for long exposure work!
I've been a serious Pentax photographer for over 20 years... so naturally, because of my investment in PK type lenses, I purchased one of the first K20D's as soon as it was available.

I should have waited!

Please understand, there is a reason for all these great reviews. It really is a good camera in many respects. However, if you have special requirements, such as long exposures (e.g. astrophotography), this is NOT the camera to purchase.

The K20D uses a new and jointly developed Samsung CMOS imager. Unfortunately, they have not worked out all the kinks... um... namely heat! As a result, the K20D produces a significant amount of noise (hot pixels) and this is why the K20D is the *ONLY* current DSLR camera that forces the user to endure an automatic DFS (Dark Frame Subtraction) for any length of exposure in Bulb mode (or any manual/automatic exposure greater than 15 seconds). This means that a 2 minute exposure is actually 4 minutes, a 30 minute exposure will take 1 hour, and so on...

If money is no object, consider Canon or Nikon. Canon is especially prized by astrophotographers as being the best DSLR for long exposures.

The other annoying problem is that the K20D is terribly slow (and even worse in low light) with auto focus! Again, Canon and Nikon do a much better job.

Other than two major complaints.... I echo the positive attributes spoken by others about this camera.

The K20D loses two stars (out of five) because of the forced DFS and high noise levels. Pentax almost made the perfect camera!

Smething Shakes Badly(?) Inside
Recieved my new K20D a few days back. as the camera moved in my hands i could hear something shaking inside.

i asked Amazon to replace it, they did it very fast, and the next one has the same problem.

i wonder: all K20D are like that?
mine was assembled in the Philippines.

your comments, please. thanks.

Best value on the market!
I got into photography through a Pentax SLR kit, and am returning to the Pentax fold after five years in the Canon wasteland. I couldn't be happier. Whether its the supportive and eccentric user community, the forty-plus years of compatible equipment on the market, or the high-quality, affordable lenses, Pentax people simply have more fun. Don't let your sunken costs deter you from making the switch. I sold off my Canon gear for about 80% of retail; plenty of people will pay a premium for Canon's middle-tier junk because some Anna Kournikova look-alike told them to. Now I have a premium camera and pro-level lenses to match, plus weather sealing and a camera body that's built to last.

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Pentax K100D Super 6.1MP Digital SLR Camera

The K100D Super is equipped with the Pentax-original Shake Reduction (SR) system to reduce camera shake for sharp, blur-free images even under demanding shooting conditions such as when using a telephoto lens or when shooting in low light without a flash. The SR mechanism is designed to minimize camera shake by oscillating the CCD image sensor vertically and horizontally at high speed using magnetic force, while adjusting the speed of oscillation in proportion to the amount of camera shake detected by a built-in sensor. As a result, the K100D Super gives the equivalent to approximately 2 to 3.5 shutter steps of compensation. Since this versatile system is compatible with all existing Pentax interchangeable SLR lenses, it does not require special anti-shake lenses equipped with add-on optics or devices. (The K100D is compatible with K-, KA-, KAF-, KAF2-mount lenses without an adapter, and screw-mount, 645-system and 67-system lenses with an adapter. Available functions may be limited with certain lenses.)

Dust Removal System for Spotless Images
The K100D Super features the Pentax original Dust Removal (DR) system to prevent dust from sticking to the surface of the low-pass filter in front of CCD image sensor. Through a vapor deposition process, a fluorine compound is applied to the surface of the low-pass filter. This Pentax-original Super Protect (SP) coating effectively prevents dust and stains from sticking to the surface. Any remaining surface dust falls off when the SR system shifts the CCD at high speed. The dust lands on an adhesive sheet positioned at the bottom of the SR unit, eliminating any possibility of it returning to the CCD surface.

Includes smc P-DA 18-55mm f3.5-5.6 Lens
The Pentax smc P-DA 18-55mm f3.5-5.6 is recommended for use with digital cameras. Ideal for beginners, it provides a focal length covering a wide to moderate wide-angle range. Like all Pentax lenses, the smc P-DA 18-55mm f3.5-5.6 zoom lens is treated with Pentax's acclaimed smc coating for maximum light transmission, sharp definition, and high contrast while minimizing flare and ghost imaging.

Compatibility with SDM System for Smoother, Quieter Autofocus Operation
The K100D Super's camera body is compatible with a new SDM system, which assures smoother, quieter autofocusing operation using a built in supersonic motor. When a lens equipped with the SDM system is mounted on the Pentax K100D Super camera body, the focus mode is automatically switched to SDM-assisted autofocusing.

Auto Sensitivity Control up to ISO Equivalent of 3200
The K100D Super features an Auto Sensitivity Control function that automatically sets the optimum sensitivity up to ISO equivalent of 3200 (the highest automatic setting in its class) based on such data as the subject's brightness level and the lens focal length. Since this function allows the use of higher shutter speeds in poor lighting situations (such as indoor sports events and night scenes), photographers can effectively prevent blurred images. Users may also manually preprogram a desired level, from ISO 200 to the super-high sensitivity of the ISO 3200.

Auto Picture Mode for Effortless Point-and-Shoot SLR Photography
The Pentax-original Auto Picture mode automatically and instantly selects one of five Picture modes (including Portrait, Landscape, and Macro) to create the most appropriate visual effect for a given subject. While the camera sets all primary parameters (including shutter speed, aperture, white balance, saturation, contrast and sharpness), the photographer may concentrate on picture composition and shutter opportunity.

11-Point Wide-Frame AF to Capture Off-Center Subjects in Crisp Focus
The K100D Super's sophisticated SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors in the middle) to automatically focus on the subject with utmost precision, even when it is positioned off center. The in-focus sensor point is automatically superimposed in red in the viewfinder for at-a-glance confirmation.

Large LCD Monitor to Facilitate Image Viewing and Menu Setting
The K100D Super features a large 2.5-inch color LCD monitor on its back panel. Its wide-view design allows the photographer to check the monitor image over 140 degrees vertically and horizontally, ensuring effortless image viewing even from a diagonal position. It provides 210,000 pixels for high-resolution image viewing, with a zoom display function that lets users magnify and image up to 12 times for easy confirmation of the focus status and the subject's expressions. The large monitor size allows for large letters, digits, and icons on the menu screens to facilitate menu confirmation and camera operations.

Bright, Clear Viewfinder
The K100D Super features a lightweight penta-mirror viewfinder, which combines Pentax-original finder optics with a Natural-Bright-Matte II focusing screen to deliver a bright, clear subject image with a 0.85-times magnification and a 96-percent field of view.

True-to-Life, Rich-Gradation Images Assured by 6.1 Effective Megapixels
The K100D features a large, high-performance 23.5mm x 15.7mm CCD. By combining 6.1 effective megapixels with a high-performance imaging engine and advanced image-processing technologies, the K100D Super is designed to produce beautiful, true-to-life images that are rich in color gradation. The K100D Super offers a choice of two finishing touches of "Natural" or "Bright" to create a distinctive atmosphere.

Compatibility with High-Quality, High-Capacity SDHC Memory Card
The K100D Super accepts not only the conventional SD memory card as its storage media, but also the newly standardized SDHC card, which allows users to store higher numbers of large data files, such as RAW-format images.

Compact, Lightweight Body with Optimum Holding Comfort
The K100D Super has been designed to be compact and lightweight for easy carrying and enhanced maneuverability with an easy-to-hold grip to assure a stable shooting position.

Other features:

• 19 custom functions to personalize camera operations
• Consecutive shooting of up to five frames at the speed of approximately 2.8 frames per second (at BEST image quality in JPEG format)
• Eight distinctive Scene modes to accommodate specific subjects/applications
• Choice of two preview functions (digital/optical)
• Choice of 16-segment multi-pattern metering, center-weighted metering and spot metering to accommodate various photographic applications
• Noise-reduction mechanism to reduce digital noise during extended exposures
• Dual power source (two CR-V3 lithium batteries or four AA-size batteries)
• USB 2.0 (HI-SPEED) compatibility for speedy data transfer to PC
• Five digital filters (Black-and-White, Sepia, Slim, Soft, and Brightness) for easy editing of recorded images
• Pentax Photo Laboratory 3 RAW data and image processing software and Pentax Photo Browser 3 image browser software included on the accompanying CD-ROM
• Compatibility with PictBridge, DPOF, Exif Print, and PRINT Image Matching formats

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Customer Reviews

Positive first experience
I got into photography back in the 1980s with a film SLR camera. Since then, I had made do with some basic Kodak point and shoot digital cameras which I was very happy with, but did not offer the flexibility of an SLR. When I finally needed to get a digital SLR for a project, I admittedly didn't know a lot about the choices. I did some on-line research and realized that the Pentax offered the most flexibility. You can use rechargeable AA batteries, an SD card and ANY Pentax SLR lens ever made. That means you have access to one of the most popular lens mounts ever made. In any case, I felt that was worth the tradeoff in less resolution and the reliance on menu-driven features. So far I've been pretty happy with the camera. It seems fairly easy to use for basic photography and if you are willing to learn all of the menu options and practice, you can do all sorts of things with the camera. I don't have experience with comparable cameras from other makers such as Canon or Nikon, but I would say that if you are looking for a relatively affordable and fleixible digital SLR, this is a pretty good choice. The only thing I can see that the camera is missing is a plug for a PC-connection for an external flash, but that's a relatively small thing. The camera does have a nice Pentax-designed shake control, and apparently a unique autofocus design.

The BEST Indoor Light Digital SLR
I actually have the K100D, not the Super, but the comments apply to either model. My daughter does gymnastics and the pictures I take are taken indoors without flash. In order to get the most benefit from this camera, DO NOT settle for the kit lens that comes with it. That lens (18-55mm) is fine for outdoor snapshots, but to really get the most of this camera, get a fast prime lens (50mm f1.4, 50mm f1.7, 50mm f2.0, 35mm f2.0, 28mm f1.8, 20mm f1.8, etc.) This camera can take pictures that I believe NO OTHER SLR can do and has 3 distinct advantages over other SLRs.

1. Shake reduction - This allows the camera to be reduce movement due to the user and keeps the photos sharper. It can be used with ANY Pentax-mount lens you put on, saving potentially huge amounts on lenses (check out others stabilized lens prices and you'll see). Some of the other Pentax bodies also have this feature and I understand that there may even be a higher degree of reduction with models like the 10D.

2. More sensitivity - You may think a 6 megapixel image is a disadvantage, but it allows the sensor to have an ISO range of 200 MINIMUM to 3200, because the sensors are larger and need less light, meaning more speed. No other currently made body that I know of has this kind of sensor sensitivity, although some bump the ISO up as high or higher with expensive, perhaps more advanced (but I don't think better results) technology.

3. More lens usage - there are more lenses available that fit on this camera than on any other brand, by far, and these lenses are often far less cost than what the new types cost. I've found that manual focus lenses are not always a disadvantage, and in fact, often get me better and faster pictures, since I can set the focus and not have to wait for the camera to do the focus function. Other Pentax bodies do the same.

So, if you want a camera for indoor shooting with the most sensitivity and not spend an arm and a leg, get this one and get a prime lens or two to go with it. You'll not only be amazed at what you can shoot, but so will your friends. I only hope Pentax comes out with a full-frame 14 megapixel version of an equivalent sensor.

Great Camera, Insane Price
What on earth would drive someone to try and sell a K100D for nearly twice retail, when you can get either a K100D, K110D, or K200D for four hundred dollars or more less?

Buy this camera, but not at this price.

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Pentax K200D 10.2MP Digital SLR Camera

With an easy-to-use interface housed in a compact body, the new Pentax K200D contains all the advanced imaging technology of the award-winning K10D, but is designed for new digital SLR users who want a camera that will allow them grow as they learn about photography. With 10.2 megapixels and a 2.7-inch wide-view LCD, the K200D features many of the award-winning advancements of the Pentax Series including:

• Auto Picture and Scene modes that offer shooting ease, while advanced modes, such as the Sv mode, allow photographers to grow with the camera.
• A weather and dust-resistant body, unique in this class of cameras, that allows photographers to keep shooting even in harsh conditions.
• Custom Image functions that allow users to select between six preset options and further adjust image processing, including saturation, hue, contrast and sharpness. The K200D also offers an Expanded Dynamic Range function that allows users to gain more contrast and detail in bright settings.
• An improved Dust Reduction system that features the new Dust Alert function to pinpoint the exact location of dust particles for the photographer to remove.
• A Pentax-developed Shake Reduction (SR) system for sharp, blur-free images even under difficult shooting conditions, such as macro and telephoto photography or low light settings without a flash.

Pentax K200D Digital SLR Highlights

High-quality image sensor The K200D combines a large, high-performance 23.5mm x 15.7mm CCD image sensor with the sophisticated PRIME (Pentax Real Image Engine) as its imaging engine. With its approximately 10.2 effective megapixels, the K200D produces beautiful, fine-detailed images with subtle gradations and texture.

Pentax Original Shake Reduction Mechanism The K200D is equipped with the Pentax-developed Shake Reduction mechanism, which reduces camera shake for sharp, blur-free images even under demanding shooting conditions, such as shooting with a telephoto lens, shooting in low light conditions or at night without supplementary flash illumination, or using extended exposures for sunset scenes. This innovative mechanism offers outstanding compensation equivalent to approximately 2.5 to 4 shutter-speed steps. In addition, the lighter image sensor unit and refined data-control algorithm offer improved image stabilization over previous models. Pentax Shake Reduction is compatible with existing Pentax interchangeable lenses.*
_{*Lenses compatible with this mechanism are: Pentax K-, KA-, KAF- and KAF2-mount lenses, screw-mount lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be applicable with certain lenses.}

Versatile Auto Picture And Scene modes The Pentax-developed Auto Picture mode automatically sets the most appropriate shooting mode (such as Portrait, Landscape and Macro) for a given subject or situation. Since the K200D not only sets an aperture and a shutter speed, but also adjusts white-balance, saturation, contrast and sharpness levels, the photographer can concentrate on image composition and shutter opportunity. The K200D also offers eight Scene modes for easy shooting. This include fun options such as sunset, food, pet, and museum modes.

Large, 2.7-inch wide-view LCD monitor The K200D features a large 2.7 inch color LCD monitor. The LCD’s wide-view design allows the photographer to check the monitor image from approximately 160 degrees both vertically and horizontally making image sharing immediately after capture easy. It even offers digital zooming of playback images up to 20 times for easy confirmation of focus.

Dust-proof, water-resistant construction The K200D features an extremely reliable water-resistant, dust-proof construction, with special seals applied to 60 different parts of the camera body, including the shutter release button and switches/levers/dials. This dependable body makes it possible to use the K200D in the rain or dusty locations without worries.

High-precision 11-point Wide-frame AF The K200D’s advanced SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors) to automatically focus on the subject with utmost precision, even when it is positioned off center. When the subject is captured in focus, the in-focus sensor point is automatically superimposed in red in the viewfinder for at-a-glance confirmation.

Custom Image Function The K200D is equipped with a new Custom Image function that lets the user select one of the six modes and adjust an image’s processing to their preference by automatically adjusting tone, saturation, contrast, and sharpness. These modes include Natural, Bright, Portrait, Landscape, Vibrant, and B&W image modes. The photographer can make further fine-tuned adjustments to each setting. The effect on each of the primary colors is shown in a radar-type display on the LCD panel. The user can easily see the effect of their adjustments by using the digital preview option.

Comprehensive Dust Removal system with prevention, removal and alerting devices The K200D features the user-friendly Dust Removal system to prevent dust from sticking to the surface of the CMOS image sensor (or low-pass filter). The Pentax-original Super Protect (SP) coating, applied to the image sensor surface through vapor deposition of a fluorine compound, effectively prevents dust from sticking to the surface. In the next step, dust that may remain on the surface will be shaken off when the system shifts the image sensor at high speed. Finally, the dust that is shaken off the image sensor falls onto an adhesive strip positioned at the bottom of the unit, eliminating any possibility of the dust returning to the image sensor surface. This upgraded Dust Reduction system also offers a new Dust Alert function, which shows the user exactly where dust may be sticking to the sensor surface.

Auto Sensitivity Control up to ISO 1600 The K200D’s auto sensitivity control function automatically sets the optimum sensitivity up to ISO 1600, based on such data as the subject’s brightness level and lens focal length. Since this function allows the user to use faster shutter speeds in poor lighting situations (such as indoor sports events and night scenes), this feature helps photographers effectively reduce camera shake and prevent blurred images. For specialized applications, sensitivity may be set manually from ISO 100 to ISO 1600.

Bright, clear viewfinder Combining a lightweight penta-mirror prism with Pentax-original finder optics and the acclaimed Natural-Bright-Matte focusing screen, the K200D’s viewfinder delivers a large, bright image with an approximately 96-percent field of view and an approximately 0.85-times magnification.

Other Features

• High-rigidity stainless-steel chassis
• Choice of 16-segment multi-pattern metering, center-weighted metering and spot metering to accommodate various photographic applications
• 22 custom functions to personalize camera operations
• Approximately 1,100 images can be taken when using AA size lithium batteries due to its energy saving design (4 Energizer Lithium batteries included with each camera)
• Compatibility with conventional SD and large-capacity SDHC memory cards
• Simultaneous recording of RAW- and JPEG-format images
• RAW button for single-action image-file switching
• Eight digital filters for creative and artistic expressions
• In-body development of recorded RAW-format images
• Compatibility with SDM equipped lenses for quiet, extra-smooth autofocus operation
• Pentax PHOTO Laboratory 3, RAW data processing software and Pentax PHOTO Browser 3, browser software, included on the accompanying CD-ROM

Customer Reviews

Takes great pictures.
If you do read the book you will miss allot of great features.Takes great pictures and I can use all my old Pentax K mount lenses and save allot of money on new lenses.I took over 200 pictures and I'm still on the same rechargeable batteries without charging them yet.

15% price increase in a month?
I marked this item for purchase but apparently the month too long that I waited caused the price to rise 15%? Wow - with stores going out of business left and right, maybe we should be rethinking using Amazon who can randomly slap a 15% increase onto a product in a matter of weeks.

Even Better than my Old ME Super
I bought a used one from Amazon Warehouse. I expected it to have some blemishes. There were none. It is like new and although I have only taken a few indoor shots, I am very impressed. I uploaded some of the pictures to my pc and you can zoom in on our cat so close you can almost count the hair in his ear. Although I am not a camera expert, I do know about resolution as I work with Photoshop and InDesign on a daily basis putting together a Motorcycle magazine. Folks this thing is great and I have not even taken any raw files yet.

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Sony Alpha A100 10.2MP Digital SLR Camera

Why Sony? Because people want to take better pictures--and the all-new Sony α DSLR-A100 camera makes it easier to explore all the creative possibilities of digital photography. Sony electronic innovations for higher sensitivity, smoother image stabilization, and superior picture quality give the α system spectacular DSLR performance with amazing simplicity. Along with superb Sony and Carl Zeiss lenses and a full range of professional accessories, the Sony α DSLR-A100 camera also builds on 20 years of Minolta camera optics to provide instant compatibility with over 16 million A-mount lenses sold worldwide.

With advanced electronics, superb Sony and Carl Zeiss lenses, and amazing creative capabilities, the Sony α DSLR-A100 camera brings better pictures within easy reach. It introduces Sony imaging innovations like high-sensitivity shooting with Super SteadyShot in-camera image stabilization, Dynamic Range Optimizer to automatically increase detail in bright and dark picture areas, new Anti-Dust technology to keep the CCD imager clean for better pictures, and Eye-Start Autofocus system for faster camera response. It also builds on a two-decade legacy of Minolta photographic leadership, accepting millions of A-mount lenses sold worldwide.

Superior Electronics, Amazing Simplicity
In the revolutionary new Sony α DSLR-A100 camera, Sony digital technology takes you a giant step toward professional performance--with advanced imaging, image stabilization, and creative control functions, plus ease of operation that helps everyone take better digital pictures right from the start.

Advanced Lenses and Accessories
The Sony α DSLR-A100 camera is your gateway to an incredibly sophisticated array of lenses and accessories--including precision Sony standard and zoom lenses, Sony "G" Series lenses with advanced motorized autofocusing, amazingly bright Carl Zeiss T* coated lenses, professional-quality flash units, and compatibility with over 16 million Maxxum, Dynax, and A-mount lenses sold worldwide.

The Sony α DSLR-A100's CCD system provides SteadyShot image stabilization and anti-dust vibration.

10-Megapixel Super HAD CCD
A large APS-size CCD imager with Sony's advanced Super HAD (Hole Accumulated Diode) design allows more light to pass to each pixel, increasing sensitivity, reducing noise, and providing greater detail when you make big prints or crop in close on your subject.

Super SteadyShot Optical Image Stabilization
When you shoot with high sensitivity, the shutter remains open longer--so to compensate for shaky hands or fast-moving subjects, the Sony Super SteadyShot system automatically reduces image blur. And because it works in-camera, you'll get the benefit of Super SteadyShot stabilization with every lens you use.

Sharp, Clear Photos that Preserve the Mood
With high-sensitivity (ISO 1600) shooting, the Sony α DSLR-A100 camera captures great photos without flash even in low light--which makes it an ideal system camera for shooting without a tripod or in locations (like museums and churches) where flash is prohibited.

Static-free anti-dust coating and the A100's anti-dust vibration system keep the CCD free of the dust that can mar images. (See larger image.)

Anti-Dust Technology
Changing lenses in a DSLR can allow dust to enter the camera--so to keep the CCD imager clean for better pictures, the Sony α DSLR-A100 camera utilizes both static-free anti-dust coating on the CCD filter and anti-dust vibration that automatically shakes the CCD to dislodge dust each time the camera is shut off.

Dynamic Range Optimizer
To recover details in dark or bright areas of the picture, the Sony α DSLR-A100 camera provides two levels of Dynamic Range Optimization: Normal DRO, to improve shadow detail using standard gamma curves for fast shot-to-shot response time, or Advanced DRO, to adjust dynamic range area-by-area for the greatest precision.

Bionz Image Processor
At the heart of the Sony α DSLR-A100 camera is the advanced Bionz Image Processor, using hardware-based Large Scale Integrated (LSI) circuitry that responds ten times faster than software image processors--improving camera response time, handling Dynamic Range Optimization processing, and extending Stamina battery life.

To reduce blur and increase response time, an Eye-Start Autofocus sensor begins the DSLR-A100's precision autofocus adjustments the moment you bring your eye to the viewfinder.

Eye-Start Autofocus System
Some DSLR systems don't start focusing until the shutter button is half-pressed--but that can slow down camera response. The Sony α DSLR-A100 camera begins its precision autofocus adjustments the moment you bring your eye to the viewfinder, to capture fast-action subjects other cameras might blur.

2.5-Inch Clear Photo LCD Plus Screen
The Clear Photo LCD Plus design of the Sony α DSLR-A100 camera's built-in screen makes it easy to read camera setup menus even in bright sunlight--and gives you a better picture when you use your screen to set up shots and check results.

Continuous Burst Mode at 3 Frames Per Second
To catch fast action more effectively, the Sony α DSLR-A100 camera offers continuous JPEG image capture up to the limit of your flash memory card--plus RAW Burst Mode (up to six shots) with intelligent buffer management to allow more shots to be captured without waiting for the buffer to clear.

18-200mm f3.5-6.3 Lens
A zoom lens with higher magnification for shooting effectively at greater distances. Specially designed for the APS-size CCD imager of the Sony Alpha DSLR-A100 camera, this is the standard zoom lens that brings you closer to your subject. With superior all-in-one lens performance for everyday shooting, its 35mm-equivalent range of 27mm wide-angle to 300mm telephoto excels at capturing faraway subjects, sports events, dramatic landscapes and intimate close-up views.

Lens Features

Internal focusing system
Internal lens elements move, so the overall length does not change--creating a lens that focuses more quickly and doesn’t change balance.

Aspherical lens elements
Three aspherical elements correct visual aberrations more effectively across the entire zoom range and help reduce weight.

ED (Extra-low Dispersion) glass
Two ED Glass lenses minimize flare and greatly reduce chromatic aberration, giving you sharp, clear shots even at full telephoto extension.

Circular aperture
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

Super-Accurate Exposure Control
A 40-segment honeycomb sensing system provides multi-pattern measuring for superior exposure control accuracy.

Flexible Exposure Modes
For greater creative freedom in a wide range of shooting conditions, the Sony α DSLR-A100 camera provides full manual exposure control as well as Program Auto, Aperture Priority, Shutter Priority, and Exposure Compensation modes.

9-Point Autofocus Selection
The Sony α DSLR-A100 camera gives you all the focusing options you need for composing your shot with foreground, background or off-center subjects--including manual focus point selection, Spot AF, Continuous AF, and AF Lock.

Lithium Ion Battery with Stamina Power
A supplied NP-FM55H Lithium Ion rechargeable battery lets you take up to 600 shots on a full charge, recharges quickly with supplied battery charger.

Dual Media Options
The Sony α DSLR-A100 camera accepts both CompactFlash Type I/II media and optional Memory Stick Duo media (with supplied adaptor).

Customer Reviews

nice camera
this is a great camera. beware that some times when you take a picture it will freeze the camera and you will need to remove the battery. other than that, this is a great camera. i recommend sony, since the anti-shake is in the body, where other companies put it in expensive lenses. if you dont want to deal with the freezing of the camera, then go with a newer model, but i recommend staying with a sony. they have features that some other companies didn't put in there cameras.

Minolta in Sony Clothes
I'm sooo happy I managed to get one of these before Sony made all their changes. It acts just like my Minolta Film cameras, the venerable 9000 and the newer 5 Film - easy to use menus, controls where I want them and that wonderful lighting fast autofocus. I'm not a fan of anything Sony proprietary (like the battery) but so far it's been good to me. I bought this to take pictures of my newborn son - cause face it, no P&S will ever react fast enough to catch the boy with his eyes scrunched up and tongue hanging out.

One serious con is the sheer bulk of the thing. My wife LOVED the Maxxum 5 Film, lightweight and thin for her little hands. She needs to use two hands almost exclusively for this beast. It's not a weight issue either, it's the shape of the grip. I find my fingernails grinding into the body from the way I hold the camera one handed. Better grips could be had.

There are certainly fuller featured models out there, even in this manufacturer, but really, how often do you use all those features? I know what I'm doing, I'm a photographer from way back with a Pentax K1000 knock off from Cosina, but about all I ever do is change the flash or exposure compensation settings, and usually I get better results if I use the pre-programmed modes anyway.

Takes a darn pretty picture in plain old automatic, too. Just like the Maxxum 5, if you can teach a 5 year old to frame and compose, the camera will do the rest.

Of course there's the compatibility issue with all my old Minolta glass... eh... some of it plays nice, and some of (and particularly my portrait lens) will not work in anything other than full manual. Which is okay really, better than purchasing an entire new library of Nikkor lenses.

Oh, the image stabilization program in the body? Works like a charm.

Good camera. Evil customs charges
Excellent camera and lens. Terrific value and good service from supplier. Disappointed that there was an additional customs bill of £71! Could you warn customers of this charge, in future.

Despite this, at a total cost of £330, it was still a real bargain

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